Satan's as the hero of Paradise Lost
Satan has engendered a plethora of controversy among the critics. There is no unanimity of thinking regarding his role and stature in Paradise Lost. Some readers consider Satan to be the hero, or protagonist, of the story, because he struggles to overcome his own doubts and weaknesses and accomplishes his goal of corrupting humankind. This goal, however, is evil, and Adam and Eve are the moral heroes at the end of the story, as they help to begin humankind's slow process of redemption and salvation. Satan is far from being the story's object of admiration, as most heroes are, nor does it make sense for readers to celebrate or emulate him, as they might with a true hero. Yet there are many compelling qualities to his character that make him intriguing to readers.
One source of Satan's fascination for us is that he is an extremely complex and subtle character. It would be difficult, perhaps impossible, for Milton to make perfect, infallible characters such as God the Father, God the Son, and the angels as interesting to read about as the flawed characters, such as Satan, Adam, and Eve. Satan moreover, strikes a grand and majestic figure, apparently unafraid of being damned eternally, and unbowed by such terrifying figures as Chaos or Death. Many readers have argued that Milton deliberately makes Satan seem heroic and appealing in the poem to draw us into sympathizing with him against our will, so that we may see how seductive evil is and learn to be more vigilant in resisting its appeal.
Milton devotes much of the poem's early books to developing Satan's character. Satan's greatest fault is his pride. He casts himself as an innocent victim, overlooked for an important promotion. But his ability to think so selfishly in Heaven, where all angels are equal and loved and happy, is surprising. His confidence in thinking that he could and overthrow God displays tremendous vanity and pride. When Satan shares his pain him alienation as he reaches Earth in Book IV, we may feel somewhat sympathetic to him or even identify with him. But Satan continues to devote himself to evil. Every speech he gives is fraudulent and every story he tells is a lie. He works diligently to trick his fellow devils in Hell by having Beelzebub present Satan's own plan of action.
Satan’s character--or our perception of his character--changes significantly from Book I to his final appearance in Book X. In Book I he is a strong, imposing figure with great abilities as a leader and public statesmen, whereas by the poem's end he slinks back to Hell m serpent form. Satan's gradual degradation is dramatized by the sequence of different shapes he assumes. He begins the poem as a just-fallen angel of enormous stature. He looks like a comet or meteor as he leaves Hell. Then he disguises himself as a more humble cherub, then as a cormorant, a toad, and finally a snake. His ability to reason and argue also deteriorates. In Book I, he persuades the devils to agree to his plan. In Book IV, however, he reasons to himself that the Hell he feels inside of him is reason to do more evil. When he returns to Earth again, he believes that Earth is more beautiful than Heaven, and that he may be able to live on Earth after all. Satan, removed from Heaven long enough to forget its unparalleled grandeur, is completely demented, coming to believe in his own lies. He is a picture of incessant intellectual activity without the ability to think morally. Once a powerful angel, he has become blinded to God's grace, forever unable to reconcile his past with his eternal punishment. Satan miserably fails to come up to the high standards set for a hero. Instead of attaining a new understanding and maturity towards the end, Satan gradually disintegrates and falls in the abysmal depths of decay and degradation. All his good qualities are at the service of the evil in him and the unholy designs he harbors against God, His Kingdom and His crown-creation. In short Satan falls short of the qualities of a true hero and cannot be justly regarded as the hero of Paradise Lost.
One source of Satan's fascination for us is that he is an extremely complex and subtle character. It would be difficult, perhaps impossible, for Milton to make perfect, infallible characters such as God the Father, God the Son, and the angels as interesting to read about as the flawed characters, such as Satan, Adam, and Eve. Satan moreover, strikes a grand and majestic figure, apparently unafraid of being damned eternally, and unbowed by such terrifying figures as Chaos or Death. Many readers have argued that Milton deliberately makes Satan seem heroic and appealing in the poem to draw us into sympathizing with him against our will, so that we may see how seductive evil is and learn to be more vigilant in resisting its appeal.
Milton devotes much of the poem's early books to developing Satan's character. Satan's greatest fault is his pride. He casts himself as an innocent victim, overlooked for an important promotion. But his ability to think so selfishly in Heaven, where all angels are equal and loved and happy, is surprising. His confidence in thinking that he could and overthrow God displays tremendous vanity and pride. When Satan shares his pain him alienation as he reaches Earth in Book IV, we may feel somewhat sympathetic to him or even identify with him. But Satan continues to devote himself to evil. Every speech he gives is fraudulent and every story he tells is a lie. He works diligently to trick his fellow devils in Hell by having Beelzebub present Satan's own plan of action.
Satan’s character--or our perception of his character--changes significantly from Book I to his final appearance in Book X. In Book I he is a strong, imposing figure with great abilities as a leader and public statesmen, whereas by the poem's end he slinks back to Hell m serpent form. Satan's gradual degradation is dramatized by the sequence of different shapes he assumes. He begins the poem as a just-fallen angel of enormous stature. He looks like a comet or meteor as he leaves Hell. Then he disguises himself as a more humble cherub, then as a cormorant, a toad, and finally a snake. His ability to reason and argue also deteriorates. In Book I, he persuades the devils to agree to his plan. In Book IV, however, he reasons to himself that the Hell he feels inside of him is reason to do more evil. When he returns to Earth again, he believes that Earth is more beautiful than Heaven, and that he may be able to live on Earth after all. Satan, removed from Heaven long enough to forget its unparalleled grandeur, is completely demented, coming to believe in his own lies. He is a picture of incessant intellectual activity without the ability to think morally. Once a powerful angel, he has become blinded to God's grace, forever unable to reconcile his past with his eternal punishment. Satan miserably fails to come up to the high standards set for a hero. Instead of attaining a new understanding and maturity towards the end, Satan gradually disintegrates and falls in the abysmal depths of decay and degradation. All his good qualities are at the service of the evil in him and the unholy designs he harbors against God, His Kingdom and His crown-creation. In short Satan falls short of the qualities of a true hero and cannot be justly regarded as the hero of Paradise Lost.
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